Global Arc

This workshop-style course will focus on developing the student's skills in translating short texts from Spanish into English. Each week one or two students will present their translations from a selection of poems and short stories by writers like Octavio Paz, Carlos Fuentes, Elena Poniatowska, Julio Cortázar, and many others. Students will also read theoretical texts about translation. Several professional translators will visit the class during the semester and present examples from their own work to the class. Prerequisite: reading knowledge of Spanish. One three-hour seminar.

An overview of recent debates about the practice of translation with special emphasis on how these ideas have been applied in translations of literary works by poets, novelists, and thinkers like Octavio Paz, Alfonso Reyes, Jorge Luis Borges, José Lezama Lima, and José Ortega y Gasset. Readings include essays on translation by Walter Benjamin, Vladimir Nabokov, Georges Steiner, and Lawrence Venutti. Students will be asked to translate a literary text from Spanish to English. Prerequisite: 307. One three-hour seminar.

This course focuses on the Spanish museographies: royal collections of objects, books and art, democratic institutions and archives, popular experiences on displaying culture agencies, critic museography and new narratives in contemporary exhibitions. Using different sources (essays, literature, catalogues, artworks, photography, films, audiovisual resources) this class will consider the museum as a relevant cultural device that shapes the social imaginaries and perceptions, in relation with gender, nation-building, the popular, nature, historical memory and democracy.

Havana is famous for its thriving cultural scene. This course will offer an introduction to some of the most dynamic contemporary works in theater, film, dance, performance, visual arts, and literature. Students will attend performances and meet theater and film directors, artists and poets. Each student will conduct an independent research project working closely with one of these authors.

This course will offer a cultural history of how Havana evolved from a sleepy colonial city in 1900 to rising as one of the cultural and architectural capitals of Latin America and the world by the 1950s. We will study the urban development of the early 20th century, the adoption of modernism and International Style in architecture, and the tensions between private enterprise and public projects.

This seminar examines the ethical and historical dimensions of the 2019 Summer Puerto Rican Protests. Developing within an ongoing financial catastrophe and the trauma of Hurricane María, most issues raised today are deeply rooted in the history of U.S. imperial domination since 1898. The course aims to rethink questions of second-class citizenship, colonial capitalism, militarization, ecocide and massive migrations, as well as gender, sexual and racial inequalities. Special focus on how musical, artistic, religious, political, and literary traditions shape memory and resistance in Puerto Rico and in its vast diasporic communities.

Film is comprised of multiple surfaces: the screen, the actors, the structure of the darkroom, the mobile devices of the audiovisual present, the bodies that vibrate around us, the actual strip of plastic that records the images... Critics have already broadly debated how film touches us politically and emotionally. This seminar formulates a different question: how do we touch film? In Latin America, the interaction between filmic skins is founded on the relationship between art and politics. We will consider how filmmakers debate the politics of the surface and how spectatorship poses a deeply political problem for the region.

The beginning of the millennium has brought new and refreshing approaches to fiction and non-fiction writing. We will examine recent novels in various genres: historical novel, testimonial poetry, auto-fiction, political narrative, chronicles, essays and also hybrids like storytelling podcasts and artist's books. In addition to reading and reflecting on these works, we will talk (in person or by Skype) with all the authors.

This class will use Andrés Barba's novel, A Luminous Republic (2019) as a case study to examine how one writes a novel. We will examine the writing process, the editorial review and the final publishing of the book. We will analyze, step by step, the entire journey: the research process, the first drafts, the possible endings, the editing and publication of the final work, the agent's mission, the approach to criticism, the dilemmas of translation into other languages and formats. A 360 degree approach that combines aspects of writing workshop, thinking workshop, translation and literary criticism

Mario Vargas Llosa, who received the Nobel prize in 2010, is the most important living writer in Latin America. His novels offer a unique perspective on 20th century Latin American history and politics, and deal with issues that include: dictatorship, Marxism, the conflicts between rich and poor, the left and the right, and gender stereotypes and dynamics. This seminar will offer an overview of his political fiction.