Global Arc

This course is a continuation of TWI 102. It builds on the basic Twi structures acquired in TWI 101 and TWI 102 through oral and listening activities. Students will continue to build on their vocabulary through readings of short stories. It continues to focus on communicative skills and cultural awareness. By the end of the course, learners are expected to reach proficiency level ranging between Intermediate Low and Intermediate Mid.

This course expands on the language skills acquired from TWI 105 and continues to focus on the communicative approach to studying the language. It includes specific socio-cultural settings and events. Speaking, reading, writing and listening continue to form an integral part of the course and students will build on their grammatical skills. By the end of the course, learners are expected to reach proficiency level ranging between Novice High and Intermediate Low.

Introduction to Theatre Making is a working laboratory, which gives students hands-on experience with theatre's fundamental building blocks - writing, design, acting, directing, and producing. Throughout the semester, students read, watch and discuss five different plays and ensemble theater works. We will analyze how these plays are constructed and investigate their social and political implications. In-class artistic responses provide hands-on exploration as students work in groups to create and rehearse six different performances inspired by our course texts.

An introduction to the craft of acting. Emphasis will be placed on honesty, spontaneity, and establishing a personal connection with the substance of material.

We will explore the foundations of black performance theory, drawing from the fields of performance studies, theater, dance, and black studies. Using methods of ethnography, archival studies, and black theatrical and dance paradigms, we will learn how scholars and artists imagine, complicate, and manifest various forms of blackness across time and space. In particular, we will focus on blackness as both lived experience and as a mode of theoretical inquiry.

This is a workshop in the fundamentals of writing plays. Through writing prompts, exercises, study and reflection, students will be guided in the creation of original dramatic material. Attention will be given to character, structure, dramatic action, monologue, dialogue, language

Telling stories through performance is human nature, but how can we use technology to enhance, frame, or reveal new perspectives on stories told? Students will learn about tools and techniques from design professionals, and will engage directly and collaboratively with technology to design experiences focused around live performance. Areas covered may include projections and multimedia, lighting, interactivity, and programming for creative applications. This class hopes to bring together students with arts and STEM backgrounds, and does not require prior experience.

This course introduces students to set and costume design for performance, exploring theater as a visual medium. Students will develop their ability to think about the physical environment (including clothing) as key components of story-telling and our understanding of human experience. Students will expand their vocabulary for discussing the visual world and work on their collaborative skills. We'll spend half the semester focusing on costuming and half focusing of the scenic environment, both in a practical, on your feet studio class taught by professional theater practitioners. Absolutely no experience required.

As a working laboratory with daily practice, we study the art of confidence and charisma, the anatomy of vocal production, how breath and articulation express action and emotion, how language and punctuation are a roadmap to communication, dispelling fears, and the strengths of vocal idiosyncrasies. This class provides necessary training for all artists: actors who must embody characters, movers who use text, writers and creators who speak about their work. With explorations in dialects, using microphones and filling large venues, we work toward performances which are clear, grounded, healthy, emotionally free and which draw attention.

This course develops basic acting technique which focuses on the pursuit of objectives, given circumstances, conflict, public solitude and living truthfully under imagined circumstances. Practical skills are established through scenes performed for classroom analysis. This is a working laboratory where we will approach an acting method of identifying conflicts, defining objectives and pursuing actions. Our goal is to leave the semester with confidence in our acting technique, stronger stage presence, firmer groundedness, and a means whereby to continue working and improving.