Global Arc

The course is intended for students interested in biological applications of mathematics and modeling in biology, aiming at demonstrating how relatively simple mathematics can be applied to a variety of models to draw interesting conclusions. Connections will be made between diverse biological examples linked by common mathematical themes. A variety of discrete and continuous ordinary and partial differential equation models will be explored.

MUS 103 is an introduction to Western music, involving works from around 1200 to the present. The course explains the basic elements of Western music -- rhythm, pitch, melody, harmony, form -- and historically significant styles and genres of composition. The course includes lectures on the symphony, ballet, and opera.

An introduction to the fundamental materials of a variety of musics, including Western concert music, jazz, and popular music. Course activities center around interrelated theoretical, compositional, and analytical projects that serve to explore issues of music theory, style, and creativity. Two lectures, two preceptorials.

An introduction to the procedures, structures, and aesthetics of tonal music. Composing, singing, playing, analysis of music such as 18th-century chorale, and 18th- and 19th-century piano music. Emphasis on fluency in handling tonal materials as a means of achieving a variety of formal and expressive ends. Two lectures, two classes, one session in practical musicianship.

An introduction to the procedures, structures, and aesthetics of tonal music. Composing, singing, playing, analysis of music such as 18th-century chorale, and 18th- and 19th-century piano music. Emphasis on fluency in handling tonal materials as a means of achieving a variety of formal and expressive ends. Two lectures, two classes, one session in practical musicianship. Prerequisite: ability to read music.

This course will present an overview of the great conductors of the recorded age, conducting the iconic symphonic repertory for which, in each case, they were most admired. Performance practice style, and its evolution throughout the 20th century will be investigated in detail. The impact of these conductors' out-sized gifts on the musical culture of their time will also be a focal point of the course. Issues of tempo, phrasing, color and handling of structural matters all bear on the larger concerns of the development of musical style. The course will be run as a seminar, with students making presentations each week.

An introduction to the principles of voice leading and linear construction through a series of systematic compositional exercises. Two lectures, two classes. Prerequisite: 106 or equivalent.

An introduction to the syntactic structure of the music of the 18th and 19th centuries through exercises in analysis and composition. Two lectures, two classes. Prerequisite: 205 or equivalent.

An exploration of music for large chamber ensemble from periods rarely addressed by Princeton performing ensembles, such as Baroque, Early Classical, and recent music by Princeton undergraduates.

A continuous cycle of creation, discussion, and response based on the creative musical activity of the students. Varieties of kind and style--notated composition, multimedia music, multitracking, and improvisation--are encouraged. Prerequisite: instructor's permission. Two 90-minute classes.