Global Arc

We will examine moments of change at different crucial stages in the life cycle (childhood, adolescence, courtship and marriage, work, maturity, and finally death) as they are portrayed in outstanding short stories and one novella. We'll attempt to discover how this change is conveyed convincingly and compellingly, to delineate the nature of the conflict at each stage, and how much of the change comes from without and within, and what the story has to tell us about the essence of each time of life.

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War, disease, environmental collapse, and other disasters remain as relevant now as they were for ancient societies. Apocalyptic literature, which claims to reveal knowledge regarding the cosmos and history, has offered powerful accounts of the end of the world in many historical contexts. This course will trace how apocalyptic ideas and idioms forged in the ancient and medieval worlds continue to inform modern speculation about the end times. It will illuminate the flexibility of apocalyptic language, its ability to interpret changing historical situations, and its ongoing power to move people, whether to acceptance or to radical action.

This seminar will study the history and nature of fairy tales, legends, classical myths, and urban myths, particularly in regard to the way that they reflect the concerns and fears of society. We will examine the ways in which myths differ from folk tales, fairy tales and superstition, and the means by which entire communities, seized with conviction often for generations, disseminate and fortify them. The collective unconscious is often manifested in metaphor, particularly in literature and film, and the legitimate anxieties, fears (and guilt) that it reflects will be the subject of our study.

What makes hell what it is? What archetypes of the underworld helped to cement its importance in different religious systems? Why is hell so alive in secular culture today? This course explores the literary topos of the descent into the underworld in several strands of literary culture in the west. In the seminar, we will discuss underworld themes and archetypes in western and eastern antiquity, the Middle Ages, as well as modern and contemporary literature and visual art. Understanding the curious attraction of hell will help us conceptualize what the realm of the dead means for how we inhabit the world of the living.

Data is everywhere. Using site-specific research methods, students will explore their local environs, on campus and beyond, searching for data and the patterns and stories that follow. They will collect their observations in evolving archives, iterating on modes of communication (including documentary drawing, sensory visualization, and information design). The output of the course will consist of small weekly projects and responses to data-driven readings, films, design, and art, culminating in the production of a larger creative data visualization project, which illuminates a local story or pattern via data uncovered during the semester.

This seminar will explore, primarily in American literature, themes of individual and cultural identity from 19th century texts (Irving, Poe, James) to 20th and 21st century fiction and selected works of art, photography, and film. Students will write 1-2 page papers each week, present an analysis and discussion of a text or art-work, and write a paper of 12-15 pages. Questions will be: Is the "American Dream" an ideal, a shared cultural identity, or is it a chimera? How does the "Dream" manifest itself in individual works of art?

Lasers are not focused, and quantum leaps are tiny. This freshman seminar first explores the science behind quantum technologies. What makes a physical object "quantum", and what does it mean for the way it behaves? The future of quantum technologies, especially quantum computation and quantum cryptography are discussed. Besides the technical aspects, this freshman seminar also explores the use of "quantum" in popular culture, media, film, and literature. This seminar is open to all first-year students, and does not require any specialized prerequisites beyond general high school science and mathematics.

New York's Central Park, 843 acres in the center of Manhattan Island, remains, now more than a century and a half after its construction, the most iconic urban park in the United States. Visited by 42 million people each year, Central Park has been called the most filmed location in the world. This seminar will take a deep dive into its history and cultural meanings, and will approach the park through a myriad of disciplinary lenses. The course will take up the complexity and contradictions inherent in the creation and preservation of 'nature' in the city that would become the cultural and economic capital of the United States.

In a universe filled with movement, how and why and where might we find relative stillness? What are the aesthetic, political, and daily life possibilities within stillness? In this studio course, we'll dance, sit, question, and create substantial final projects. We'll play with movement within stillness, stillness within movement, stillness in performance and in performers' minds. We'll look at stillness as protest and power. We'll wonder when stillness might be an abdication of responsibility. We'll read within religious, philosophy, performance, and disability studies, and will explore social justice, visual art, and sound (and silence).