Global Arc

What does artistic production look like during a time of cultural unrest? How did America's poets help shape the political landscape of the American 60s and 70s, decades that saw the rise of the Black Panthers, 'Flower Power,' and Vietnam War protests? Through reading poetry, studying films and engaging with the music of the times we will think about art's ability to move the cultural needle and pose important questions about race, gender, class, and sexuality. We will study Allen Ginsberg, Amiri Baraka, Audre Lorde, Eileen Myles, and others. We will talk about The Beats, The San Francisco Renaissance and The New York School poets.

Natural Law theory has a rich and varied history extending back to the classical period. Although in recent decades it has often been associated with religious thinkers, especially Catholic ones, it also has non-Catholic, and even non-religious adherents. This theory offers a first-personal account of practical reason that acknowledges diverse basic values as fundamental aspects of living a fulfilled life. For some, contemporary natural law theory offers a compelling alternative to other ethical theories. For others, it offers a stimulating sparring partner that helps philosophers of different perspectives to refine their own argument.

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An exploration of the graphic novel with particular attention to the ways specific works combine visual imagery and language to enlarge the possibilities of narrative form. We will develop strategies for interpreting and evaluating the cultural significance and aesthetic quality of narratives based on sequential art.

An introduction to religious studies and history of philosophy using classic works produced by imprisoned authors. Readings span the world's major religious and philosophical traditions and include works by Plato, Boethius, Marguerite Porete, Gandhi, Levinas, Martin Luther King, Jr., JP Sartre, and detainees at Guantanamo Bay. Works will be exegeted according to their contexts of origination while also asking what they have to teach us in an era of rising nationalism and mass incarceration.

When, where, why and how did human language originate? There are no definite answers, but findings from many different areas of investigation (including paleontology, archeology, linguistics, animal communication, neurobiology, genetics, statistics), when considered in conjunction, shed light on these old and fascinating questions. Current research often gives rise to contrasting interpretations and hypotheses; the seminar will attempt to present a balanced picture and invite students to weigh all evidence.

See Freshman Seminar booklet or www.princeton.edu/pr/pub/fs/

This course examines the nature, causes, and consequences of inequalities of income, wealth, happiness, and life expectancy within the US and across countries. US economic inequality has surged since 1980. Women earn less than men, Black Americans earn less than Whites, the bottom 50% earns less than the top 1%, and the global middle class earns less than the poor in rich countries. Why? And what can policy do to reduce economic inequality? How does inequality affect justice? Is poverty or inequality the more serious problem? Do moral obligations to reduce inequality extend beyond national borders?

Participants in this seminar will go behind the scenes of a major university art museum with an encyclopedic collection of more than 100,000 objects from ancient to contemporary art. Sessions will focus on close looking and discussions of museum best practices and the role of the museum in the 21st century with a special emphasis on collecting.

This course will explore the crossover collaborative of bioengineering and art, presenting the notion of bioengineering as an artistic practice. A creative portrayal has the potential to humanize this highly technical field. Advancements in the field of biotechnology will be examined as potential tools to not only improve health care, but also as an art medium. The course material will expose students to organisms manipulated in an imaginative context and consider how these artistic ventures may affect public perception of emerging biomedical technologies.