Global Arc

Practice in the original composition of fiction supplemented by the reading and analysis of standard works. Each student is expected to prepare a manuscript at least every other week. There will be a weekly workshop meeting and occasional individual conferences.

Practice in the original composition of fiction supplemented by the reading and analysis of standard works. Each student is expected to prepare a manuscript at least every other week. There will be a weekly workshop meeting and occasional individual conferences.

Practice in the translation of literary works from another language into English supplemented by the reading and analysis of standard works. Each student is expected to prepare a manuscript each week. There will be a weekly workshop meeting and occasional individual conferences.

Practice in the translation of literary works from another language into English supplemented by the reading and analysis of standard works. Each student is expected to prepare a manuscript each week. There will be a weekly workshop meeting and occasional individual conferences.

Modern queer writers have long written about the rich and complicated relationship straight cis women have had with queer men. And yet, outside of queer literary circles, little attention has been paid to how these relationships challenge or replicate traditional family structures, and form a community outside of the status quo. We will examine the stories male writers constructed and analyze women writers who held a mirror up to those straight and queer men who were drawn to lesbian culture. By examining photography and painting, we will further look at the artist's relationship to and identification with queerness, or straight female power.

Poems are weird, wild, ancient machines from the future. Form is but one way to harness their power, another tool to add in your kit. In this space, together, we'll be formalist, inventors, rule-breakers, and dreamers in the name of poems. Be prepared for a generous amount generative work journaling, discussion, presentation and journaling, some poet-led workshopping in the later part of the semester. All the gorgeous restriction and possible chaos of form awaits us. Let's write. (Content Warning: Some of the work read in this course addresses violence that is at times sexual, colonial, racial, or gendered in nature.)

This interdisciplinary seminar will focus on Leonora Carrington. Students will be asked to respond to Carrington's oeuvre both critically and creatively, writing essays, responses, and imaginative texts inspired by a close reading of Carrington's idiosyncratic fiction and by studying her prints, drawings and paintings, which are part of the Princeton Art Museum's permanent collection. Knowledge of French and/or Spanish is recommended but not required, as we will also look at some of Carrington's writing in the original languages of composition, and consider questions of linguistic migration and experimentation.

We will read published literary short stories by contemporary Latinx writers and explore the vast range of Latinx experience in the United States as well as the vast range of fictional techniques employed by these writers. In discussing these published works, we will analyze how the formal elements of story--structure, plot, character, point of view, etc.--function in these pieces, so that students can apply these principles of craft to their own work. Students will write two complete short stories, which will be discussed in a traditional workshop format, and then submit a revision of one of those stories.

This is a multi-genre writing class that explores daily creative practice. This semester, you'll be challenged to push your creative limits and to take risks in your work. Together we'll explore how we can become more alert to the world and how, through language, we can respond in fresh ways to the events of our lives. As we imagine other experiences and engage in a conversation with the long tradition of writing, we'll practice thinking flexibly and seeing opportunity in failure. In this class, you will be a member of a community of writers prepared to challenge and support each other as we navigate the process of creation.

Advanced practice in the original composition of poetry for discussion in regularly scheduled workshop meetings. Prerequisites: Two 200-level CWR courses.