Global Arc

This course is an introduction to the fascinating history of collage. Students study techniques employed in the iconography of China and Medieval Europe, and expand to its historical resurgence in the form of keepsakes and scrapbooks. Students evaluate the relationship of collage to historical advancements in photography, assemblage, and décollage. Students discover collage's relationship and technical developments to the radical histories of trauma, disruption, and desire by studying contemporary artists. Projects are structured around mixed media drawing, printmaking, painting, along with found object sculpture.

No Description Available

A historical examination of a film genre--e.g., comedy, documentary, detective film (also called film noir). The object of the course will be the understanding of the uniquely cinematic aspects of each genre, studied against the backdrop of parallel literary genres (e.g., comedy from Aristophanes to Beckett; documentary fiction and essays; 19th- and 20th-century detective fiction). One genre will be the topic of the course each year. Two 90-minute classes, one film screening.

A film/video course introducing the techniques of shooting and editing digital video. Works of film/video art are analyzed in order to explore the development of, and innovations in, cinematic language. Production is oriented toward film/video as a visual art, including narrative, documentary, and experimental genres. Several short video projects produced during the semester. Two studio classes, five hours per week. Prerequisite: instructor's permission.

A film/video course introducing the techniques of shooting and editing digital video. Works of film/video art are analyzed in order to explore the development of, and innovations in, cinematic language. Production is oriented toward film/video as a visual art, including narrative, documentary, and experimental genres. Several short video projects produced during the semester. Two studio classes, five hours per week. Prerequisite: instructor's permission.

This course will give students an introduction to documentary film and video production, with a special emphasis on the practical challenges of producing films in the real world. Students will learn fundamental filmmaking techniques from a professor with thirteen years experience running her own film production company, as well as a handful of guest professionals in the fields of cinematography, casting, and editing. Production and critique of student work will be augmented by film screenings, readings, and discussion of the effects that practical realities can have on the creative process.

This studio course will be equal parts directing and screenwriting, with a special emphasis on social issue-driven material. Students will learn how to bring a script to life in collaboration with actors, production crews, and their fellow students. The course will also critically examine a selection of powerful narrative films and analyze their different approaches to visual storytelling. Specific topics covered will be: the basic tenets of film direction, writing for the screen, effective ways to work with actors, the post-production process, and how journalistic research methods can inform the early stages of the filmmaking process.

An introduction to narrative and avant-garde narrative film production through the creation of hands-on digital video exercises, short film screenings, critical readings, and group critiques. This course teaches the basic tools and techniques for storytelling with digital media by providing technical instruction in camera operation, nonlinear editing, and sound design paired with the conceptual frameworks of shot design, visual composition, film grammar and cinema syntax.

Students in VIS 300 will create sculptures that relate directly to the body and compel performance, interaction, and movement. Students in the associated DAN 300 will create dances that are informed by garments, portable objects and props. The two classes will come together periodically to compare notes and consider how context informs perceptions of sculpture as performance and the body as object. A lecture series of prominent choreographers and artists will accompany the courses. One two-hour class and one three-hour class per week; course is open enrollment.

This course is designed to allow students to explore more deeply the process and meaning of painting. Students will complete a set of structured assignments and are encouraged to develop an independent direction. Contemporary critical theory is integrated into the course. Two studio classes, five hours per week. Prerequisite: 203, 204 and instructor's permission.