Global Arc

A content-based language course designed to develop speaking and reading proficiency through reading the texts on prominent figures of contemporary Russian culture: journalists, actors, sports people, and political activists. Special emphasis is placed on communicative activities. Review of grammar: cases, numbers, verb aspect, verbs of motion, subjunctive, participles, verbal adverbs, and conjunctions. Prerequisite: RUS 107 or instructor's permission. The course is not open to heritage speakers. Four classes.

The course focuses on key events of 20th century Russian history as they are reflected by major Russian poets and writers. Reading and discussion of poems by Alexander Blok, Anna Akhmatova, Marina Tsvetaeva, Osip Mandelstam, and a short story by Vladimir Nabokov. A continuation of 207, this course is designed to further develop speaking and reading proficiency, writing skills and substantial expansion of vocabulary. Prerequisite: RUS 207 or instructor's permission. The course is not open to heritage speakers. Four classes.

Introduction to the History of the Russian language is intended for undergraduates and graduate students in all fields, e.g. (Russian literature, history, linguistics) who are interested in the Russian language. The course's primary focus is how modern Russian emerged from Old Russian, which involves the history of the Russian sound system, as well as a survey of key changes in Russian word structure and sentence structure. Reading of Old Russ. texts.

A practical approach to advanced Russian grammar and structure through reading and translation of Russian prose texts with special focus on difficult grammatical constructions. Two 90-minute classes. Prerequisite: 207 or 208.

A basic introduction to Russian sentence structure with special emphasis on word order, use of participles and gerunds, impersonal sentences, negation, voice, and long/short form adjectives. The course includes substantive readings of Russian texts and their syntactic analysis. Two 90-minute classes. Prerequisite: 207 or 208.

This course investigates the art and the aesthetics of the age of Reagan and Reaganism with an eye toward the present. How did supply-side economics transform the art world and art itself during the 1980s? How did certain period styles propagate Reaganism? Drawing on artworks from the PU Art Museum, art criticism, cultural criticism, political journalism, and an emerging history, we study critically sanctioned as well as controversial artistic movements of the period, including Neo-Expressionism, Graffiti Art, and Commodity Art, asking what this art can teach us about the age, in which an entertainer-turned-politician was elected president.

With a highly developed system of aesthetics, Chinese art is not what meets the eye. In China, artworks have represented and also shaped sociocultural values, religious practices and political authority throughout the ages. With an emphasis on the persuasive, and even subversive, power of art related to imperial and modern Chinese politics, this course reflects upon how art has worked in changing historical contexts and for serving political, religious and social agents in Chinese history. It covers a wide range of artifacts and artworks.

Monsters, imagined as occupying the margins of reality and patrolling its borders, teach us about the cultures that engendered them. This seminar investigates the kinds of monsters represented in premodern art and literature and asks what these texts and objects do, how they work, and what relationships they generate with their readers and beholder. It considers how different societies aligned monstrosity with excessive creatures, unwanted persons, and aberrant behaviors to establish order: natural, social, religious and political. By examining the historical formation of cultural categories, it probes the mechanisms that define otherness.

Just as the Internet does today, the picture press of the last century defined global visual knowledge of the world. The pictures gracing the pages of magazines and newspapers were often heavily edited, presented in carefully devised sequences, and printed alongside text. The picture press was as expansive as it was appealing, as informative as it was propagandistic, regularly delivered to newsstands and doorsteps for the everyday consumer of news, goods, celebrity, and politics. Through firsthand visual analysis of the picture presses of both the U.S. and Russia, this course will consider the ongoing meaning and power of images.

This course surveys the art and architecture of the Islamic world from the 7th to the 16th centuries. It examines the form and function of architecture and works of art as well as the social, historical and cultural contexts, patterns of use, and evolving meanings attributed to art by the users. Themes include the creation of a distinctive visual culture in the emerging Islamic polity; urban contexts; archaeological sites; key architectural types such as the mosque, madrasa, caravanserai, and mausoleum; portable objects and the arts of the book; self-representation; cultural exchange along trade and pilgrimage routes.