Global Arc

This course will expand your structures and knowledge of the Vietnamese language and multifaceted culture through idioms, proverbs, dialogues, and stories. Classroom activities and practices will help you communicate effectively and absorb meaning through speaking, listening, reading, and writing.

This course examines the comic book as an expressive medium in Japan. Reading a range of works, classic and contemporary, in a variety of genres, we consider: How has the particular history of Japan shaped cartooning as an art form there? What critical approaches can help us think productively about comics (and other popular culture)? How can we translate the effects of a visual medium into written scholarly language? What do changes in media technology, literacy, and distribution mean for comics today? Coursework will combine readings, written analysis, and technical exercises. All readings in English. No fine arts experience required.

This course is an introductory survey of the cultural history of premodern Korea-from early times until the turn of the twentieth century-focused on the primary sources. We will read various original materials (in English translation): myths, state histories, diaries, travelogues, and works of fiction, among others. Topics covered in this course include the imagination of the origins in myth, the idea of Confucian governance, everyday life and entertainment in Choson (1392-1910), and Korea's opening to the west in the late nineteenth century.

This course provides an introduction to the Japanese literary tradition, with a focus on narratives of passion and renunciation. Love poems are found among the earliest Japanese writings, but they stand side-by-side with Buddhist-influenced works that stress the suffering inherent in emotional attachment. We will trace this binary of longing and denial through early folksongs, palace gossip, pious sermons, and ghostly pantomimes, against the changing backdrop of Japan's social and intellectual history. No knowledge of Japanese required.

Video games have in the last 40 years morphed from lab experiments at MIT into a billion-dollar worldwide entertainment. How can we engage with this fast growing media platform in a critically engaged and humanities-based manner? This class does so by placing video-game culture in a much longer, two-thousand year old East Asian history of media transformations. Starting with a single historical event, The Three Kingdoms, we trace how this event was renarrativized and remediated through many incarnations from official dynastic history to contemporary video game and from Chinese novel and Japanese game to American gaming communities.

An exploration of Japanese labor, gender and feminism, crime and social control, race and notions of homogeneity, nationalism and youth culture. The course considers Japan's struggle to come to terms with the West while at the same time integrating its past. It also looks at American misperceptions of Japanese society and economics. Two lectures, one preceptorial.

The development of classical Chinese literature, traced through close readings of original texts in English translation. Topics include the nature of the Chinese language and writing system, classical literary thought, religious and philosophical influences, dominance of poetry, emergence of historical writing, and vernacular fiction. Two lectures, one preceptorial.

This course is an introduction to contemporary Chinese cinemas in China, Hong Kong, and Taiwan. From postwar musicals and pan-Asian blockbusters, to new wave avant-garde films and experimental documentaries, the diversity of Chinese cinemas reflects cinema's relations to global capitalism, Asia's democratization movements, financial crises, and the arrival of (post)socialism. Creating urban nomads, songstresses, daydreamers, travelers, and terrorists, Chinese cinemas put on full display the forces of globalization in shaping the aesthetics and politics of film. Selections broadly include popular commercial films to rare art house productions.

This course focuses on the images of women in Korean cultural production, spanning from contemporary to pre-twentieth-century periods. Analyzing the historical variations in the notions of femininity that appear in literary and filmic texts, we will use these feminine images as access points to the aesthetic conundrums produced at crucial historical junctures. These feminine images, produced locally and globally, will allow us to examine the experiences of immigrant diaspora, Korea's neo-colonial relationship with the United States, the Korean War, colonial modernity, and Confucian patriarchal kinship.

This course surveys Japan's vibrant media mix cultures spanning the histories of anime, cinema and gaming through the intersections of film and media studies. Charting the emergence of media mix cultures and "new" media technologies from silent film to augmented reality in Japan, this course introduces students to major works of anime (animated feature films, television series, and other formats), cinema, and video games. We will examine the changing contours of work and play, sentiment and sensation, thought and materiality, and the forms of mediation and social relation that defined Japan's modern media mix ecologies and platforms.