Global Arc

This seminar provides a survey of Islamic political thought from its beginnings in the 7th century to the present. What are the key debates in the history of Islamic political thought - on conceptions of government, on religion and politics, on power, on non-Muslims? How did political thought develop in various Arab, Iranian, and Indian contexts? What transformations has it undergone since the late 19th century? How does the legacy of political thought inform political and religious contestations among Muslims today? These are among the questions we will address in this seminar.

The question of how Jews, the historical "other" of the west, could be integrated into the modern nation state is one of the defining features not just of modern Jewish thought but of modernity more broadly. This course considers the relevance of modern Jewish thinking about the nature of the state, individual and collective freedoms, and political tyranny for modern debates in political theory. Topics include: liberalism, socialism, totalitarianism, race and identity politics. One three-hour seminar.

This course will provide an introduction to the study of South Asian languages in relation to culture (and history, society and politics), addressing topics such as orality and writing systems, multilingualism and polyglossia, literary cultures, cosmopolitan and vernacular language politics, and their relationship to social identity in historical and contemporary perspective.

This course surveys ideas regarding gender and sexuality at various points in the cultural history of South Asia and how these ideas have shaped women's and men's lives and experiences in the society. We examine how different communities pushed against gender norms and cultural expectations using different ideologies and strategies resulting in a diverse range of feminist projects in South Asia. The course explores ideas about gender, sexuality, and feminism in various domains of South Asian life. Apart from reading scholarship on relevant topics, we analyze primary textual sources, such as religious texts, literary genres, and folklore.

This course will introduce students to the richness and diversity of women's writing in India; it will open many windows into regional Indian societies, cultures, and subcultures; and it will allow students to examine social issues and cultural values from women's perspectives. By studying women's writings from at least ten major Indian languages (in English translation), students will be able to identify differences and disagreements among different canons as well as some common features among them that justify the category of Indian women's writing.

Through texts, visual art, observation of ritual practices we will take a close look at Hinduism. We will explore its major ideas, myths, rituals, narratives, its predecessors and opponents at different historical stages. At every stage we will observe how the insiders understood their relationship with the world, their moral and religious duties, and the right organization of society. We will discuss social, philosophical, and ideological tensions within Hinduism and its dialog with outsiders. We will explore the Indus Valley civilization, the Vedas, early and classical Hinduism, and different systems of Hindu philosophy.

This course examines literature and film by South Asians in North America. Students will gain perspective on the experiences of immigration and diaspora through the themes of identity, memory, solidarity, and resistance. From early Sikh migration to the American West Coast, to Muslim identity in a post 9/11 world, how can South Asian American stories be read as symbolic of the American experience of gender, class, religion, and ethnicity more broadly? Students will hone their skills in reading primary materials, analyzing them within context, writing persuasively, and speaking clearly.

The course explores major myths and narratives of Hindu India. Through mythology and visual art we will look at Indian culture at different historical stages, and at every stage we will observe how the insiders built their relationship with the world, how they understood their place in it, their moral and religious duties, and the right organization of society. We will consider connections between myths and religious practices, social structures, historical events, and psychological and aesthetic dimensions of Indian cultural life. Reading of mythic narratives will be accompanied by analysis from selected theoretical perspectives.

How has the nexus of gender, the performing arts, and aesthetics been theorized, constructed, and experienced at different times and in different places in South Asian societies? What roles have courtesans and courtesan cultures played in artistic and performance traditions in South Asia? In exploring these and related questions we will draw from music, dance, film, literature, and ethnographic and historical sources as we consider the complexities of social and cultural discourses in relation to the performing arts.

This course is a survey of Islam in the Indian subcontinent. We begin with the earliest Muslim descriptions of India and the rise of Persian poetry to understand how Muslims negotiated life at the frontiers of the Islamic world. Next we trace patterns of patronage and production at the Mughal court and the development of Urdu as a vehicle of literary composition including a discussion of the Progressive Writer's Movement and the "Muslim Social" genre of Hindi cinema. The course concludes with an examination of contemporary novels from Bangladesh and Pakistan. Students will gain an informed perspective on Islam beyond the headlines.