Global Arc

How can art become a form of activism? This course investigates how technological media shape culture and society, and how we can actively reshape these dynamics through art and design. We will engage in the practice of "speculative", and "tactical" design using various digital tools to envision different futures, reflecting on social, political, and ethical implications of various technologies. Traversing digital and physical realities, students will develop skills in the Adobe suite, 3d modeling, rendering, AR/VR. The final project will be a technology-based artwork that actively engages with critical social discourse and activism.

How does scientific research produce and reinforce concepts of gender? How is sexism propagated through technological media? This course investigates how scientific and technological media shape culture and society, particularly through the lens of gender and sexuality. Through interdisciplinary art making, students will use various technological media to reflect on the social, political, and ethical aspects of technoscientific feminism. Students will develop skills in 3d modeling, rendering, augmented reality, Illustrator, and Photoshop, creating art works in critical social discourse and gender theory.

Black Queer BDSM material culture resists contextualization in relationship to biographical narratives because of the underground elements of the community. This course will explore the material culture of this community from three perspectives: Architecture + Location, Visual Artists and Exhibitions, and Black Queer BDSM communities with a significant research focus on finding and presenting new materials. We will consider the fragility of archival engagement with these communities by surveying existing BDSM archives in research libraries, community groups, and individuals and their personal ephemera.

In this introductory studio course, participants explore the world wide web as an opportunity for self-publishing. We'll understand the web's history and original design as a decentralized system for publishing on one's own terms. But it's easy to forget this, as today the corporate and platformed web captures and sells our data and attention. Through hands-on exercises and projects, this course aims to demystify the web, removing barriers to basic web coding and publishing by focusing on the foundational skills in making websites with HTML and CSS. We'll remember what makes a web a web: links made by humans.

Operating at the intersection of art, science and technology, this course investigates how scientific theories shape aspects of culture and society. We will engage in the practice of "speculative design", creating sculptures, wearables, and objects that envision different futures, while reflecting on social, political, and ethical implications of various technologies. Students will develop skills in industrial design, physical computing, and fabrication, as well as sensing and responsive technologies (including hardware/software integration, sensors, micro-projection, biometric sensing, etc), while applying them to critical social discourse.

An introduction to the processes of photography through a series of problems directed toward lens projection, the handling of light-sensitive material, and camera operation. The processes will begin with cyanotypes and culminate with large format film exposure and processing, and printing. These processes trace the origins of photography. Final projects will examine new potentials in photographic expression including images that hybridize analog and digital interfaces. The goal of this course is to make art, and by doing so, understand the necessity for the invention of photography.

An introduction to the processes of photography through a series of problems directed toward personal expression and darkroom techniques. Weekly laboratory sessions will explore the critical issues of the medium in relation to both student work and examples of photographs curated from the history of the medium. One three-hour and fifty-minute class and two hours of independent laboratory

This studio course introduces students to the aesthetic, philosophical and theoretical implications of digital photography. Emphasis is on understanding digital equipment and protocols, print management, and familiarity with the digital workspace. The "afterlife" of analogue photography in digital media will be emphasized. Slide lectures, readings, and class discussion of texts and with student work in critique format will augment critical and conceptual understanding of recent contemporary photography and art.

This studio course introduces students to graphic design with a particular emphasis on typography. Students learn typographic history through lectures that highlight major shifts in print technologies and through their engagement in studio design projects. Class readings provide the raw material for hot metal typesetting in the letterpress print shop, photo-typesetting in the mechanical paste-up studio, and state of the art typesetting and design software in the digital computer lab. Overall, the workshop synthesizes hands-on graphic design skills with aesthetic awareness and a critical vocabulary.

This course introduces students to techniques for decoding and creating graphic messages in a variety of media, and delves into issues related to visual literacy through the hands-on making and analysis of graphic form. Graphic design relies on mastering the subtle manipulation of abstract shapes and developing sensitivity to the relationships between them. Students are exposed to graphics from the late 19th-century to the present in slide lectures. Studio assignments and group critique will foster an individual ability to realize sophisticated forms and motivate these towards carrying specific meanings.