Global Arc

This class will wrestle with an enormous evil that deeply implicates Christianity, both theoretically and practically - from its scriptures and creeds to its ecclesiology and history. We will examine how Christians, male and female, both contributed to and resisted the Nazi genocide that came to be known as the Holocaust, as well as the theological and moral dimensions of anti-Semitism more generally. The approach is inter-disciplinary and pluralistic, with readings including historical, sociological, and ethical analyses by Jews, Christians, and non-religious authors. Specific issues addressed include the nature of sin, especially hatred.

Vladimir Putin has confounded world leaders and defied their assumptions as they tried to figure him out, only to misjudge him time and again. In 2022, against all predictions the authoritarian leader started Europe's bloodiest war since WWII. While looking at Putin's rise to power (and his impending fall), we will also seek during this course to go beneath politics and policy to look at how human beings experience state power within the cultural phenomena including visual arts, literature, cinema, TV, Internet, popular music, and photography.

In this course, envisioned as both a language and literature course, we will explore Anton Chekhov's humor, Mikhail Zoshchenko's satire, and Fazil Iskander's irony, which will give us a glimpse into daily life in 19th century Russia and Soviet Union. The entire course will be conducted in Russian. Special emphasis will be placed on active use of language and expansion of vocabulary.

This seminar will examine social implications of the American food system as it developed during the twentieth century by delving into topics that range from gender, race, and labor to the construction of supermarkets, development of industrial meat production, and the increasing use of biotechnology in food production.

Surveying key moments from the 19th century to the present, this course tracks how networked communications, numerical calculation, symbolic reasoning, and information processing converged to create contemporary information technologies. The course introduces students to the major kinds of historical inquiry-philosophical, engineering, labor, material, social, gender, legal, and cultural-needed for studying information technologies in the last 150 years. Topics include Silicon Valley, software engineering, PCs, hacking, artificial intelligence, information, cryptography, outsourcing, privacy, information warfare, social networks, surveillance

A course intended as an introduction to the general problem of historical consciousness. How has the past been conceived in different times and places? How has knowledge of the past been sought, expressed, and conveyed? How does the past remain "present" - practically, politically, psychologically? What are the implications (existential, ethical, epistemic) of our being historical creatures? By means of readings in disciplinary history, creative literature, and philosophy, and through select encounters with works of visual art and film, this class will investigate the history (and diversity) of historical reflection.

The course aims to help students think critically about the ethical and social aspects of computing technology. Topics include ethical foundations; political economy of the tech industry; algorithmic fairness; AI and labor; AI safety; AI and climate; social media and platform power; information security; privacy; values in design; research ethics; professional ethics; technology and social good; digital colonialism; law & policy. Activities will include readings, technical work, and case studies of contemporary debates.

This course is a performance lab that examines speech as an aspect of fine art through the exploration of the literary canons of iconic American writer Toni Morrison and English playwright and poet William Shakespeare. Research assignments will explore writings found in the Princeton University Toni Morrison archive and Princeton University's copy of Shakespeare's first folio.

Bioethics was named in 1970. Its etymology, however, is from the ancient Greek. We will put ancient and modern conceptions of human flourishing in conversation by exploring how naturalizing medicine has historically shaped the nature of birth, death, and mind. What is at stake in invoking the Greeks when constructing the ethics of modern medicine? How can reading ancient Greek texts in context help us think critically and imaginatively about ethical challenges in medicine today? We will examine how the formation of a medical tradition around the physical body creates persistent practical and philosophical questions in the clinic and beyond.

We begin with a body and spend our lives representing, indexing, performing, expressing, camouflaging, revealing, adorning, contextualizing, and recontextualizing that body. This course will look at how artists have made work to intervene in this process. Alongside other aspects of visual culture, we will take protest as a key site of the political body that we will break down into voice, movement, text, and mass media. Studio work will explore strategies of representation through mixed media, drawing, painting, photography and performance. The course will include visiting artists and a museum or gallery visit.