Global Arc

In this seminar, students learn how subjectivities are negotiated in and through language, and perform a critical exploration of languages as social institutions, ideological battlegrounds, instruments used to homogenize populations, define citizenship, and create hierarchies. We discuss language as part of the social, cultural, and political machinery that enabled the rise of the nation-state, linguistic nationalism and colonialism, and we focus on the emergence of complex multilingual identities against a backdrop of monolingual forces that remain ubiquitous in our political institutions and cultural and epistemological productions.

This seminar studies how relations among pets and humans have changed over the past two centuries. Reading across humanities and social science disciplines, we will consider the unexpected connections that link pets to specific articulations of gender, race, sexuality, class, ability, and species. Arranged topically and historically, the seminar considers issues ranging from the gendered development of cat breeds in Victorian England to the racial politics of modern dog rescue. We will study animal companions not as passive receptacles of human culture, but rather as beings with agency who have co-determined their places in our lives.

This seminar focuses on the intersection of environmental and climate justice. Drawing upon scholarly articles, books, music, art, films, and testimonies from experts, we will learn about the conditions that have given rise to environmental and climate justice movements; differences in demands, strategies, and worldviews expressed by such movements around the globe; and grapple with the structural and institutional barriers they face. This seminar also pays special attention to our local context, highlighting relevant scholarship at Princeton University in order to expose freshmen to faculty and the ENV certificate program.

This course explores the construction, imaging, and experience of the racialized body while considering modern regimes of power. It examines the legacies of White supremacy and Coloniality in relation to cultural production and the body. This course's pedagogical approach is rooted in Chicana/o Studies and will examine power in relation to Latinx and other communities of color--it does not focus on Mexican/Latinx communities exclusively. When analyzing power, it recognizes the importance of contextualizing visual, audio, and embodied performative representations of culture to understand how the body speaks back to power.

The Molecular Biology Research Experience is a two-semester sequence that provides sophomore students with an in lab research experience mentored by faculty in the department. MOL 280, offered in the fall semester, is a non-credit bearing P/D/F course and the required prerequisite for MOL 281, which is offered in the spring semester and carries one unit of credit. Students must earn a "P" in MOL 280 to enroll in MOL 281. Students are expected to spend a minimum of 6 hours per week engaged in research and attend weekly meeting as determined by the mentoring faculty.

This class considers atonality and noise as resources for 20th & 21st century musicians, ranging freely across folk, popular, and notated traditions. We begin with percussion music, music concrete, and sampling; then consider pitch as a kind of noise: free atonality, free improvisation, textural music (Penderecki, Xenakis, etc.), and spectralism. Also fusions of pitch and noise: feedback, distortion, extended techniques, and modular synthesis. Ending with set theory, total serialism, and the attempt to devise a "language" of atonality.

An exploration of ritual and ceremony as creative, interdisciplinary spaces imbued with intention and connected to personal and cultural histories. A broadening and deepening of knowledge around historical and contemporary ritual, ceremonial, and community-building practices of queer and trans artist communities from around the world, with a deeper focus on the extraordinary history of the queer trans shamans of early 20th century Korea.

How do musical sounds hang together and convey meaningful ideas to its local audience--emotions, acoustic, semiotic, and ideological dimensions to theorize how it answers to diverse aesthetic and epistemic conditions across listening cultures. Students will engage a range of musical sounds through embodied analysis, (auto)ethnography, and close readings in music theory, ethnomusicology, and music perception. While this course welcomes students without previous training in music theory, it is also poised to challenge those with substantial experience.

This sequence is designed to provide Sophomores with an in-lab research experience over two semesters, with PSY 230 in the Fall being the prerequisite for PSY 231 in the Spring. PSY 230 is a non-credit bearing class while PSY 231 carries a full unit of credit (both are graded P/D/F). Students will gain an introduction to research within a Psychology lab. Students are expected to spend a minimum of 6 hours per week engaged in research and attend weekly meetings as outlined by the mentoring faculty. At the end of each semester, students will submit a written report of their research experience (PSY 230) and present their findings (PSY 231).

In this course you will learn two of the most popular programming languages in biology, R and python, along with current bioinformatics tools for dealing with genomic datasets. We will cover the basics of programming logic, along with project and data management skills. Special focus will be given to processing and curation of large tabular and genomic datasets. This course will serve as a practical introduction to programming, giving students the tools they need to succeed in their projects and showing how simple computational tools can liberate them to pursue the questions they are passionate about.