Global Arc

Dramatists in the 20th and 21st centuries have repeatedly adapted classical literature to performance on the contemporary stage. In this course we'll ask after the particular uses, pleasures, and challenges of classical adaptation: why adapt ancient material in the first place? How have contemporary dramatists deviated from their sources, and how have they remained "true" to them? We'll consider these and other questions in a survey of a century of performance, ranging from early 20th-century modernism to Hadestown. All readings will be in translation. This course will include a trip to a stage production in New York in spring 2020.

Recent developments in the United States and throughout the world have exposed fault lines in how communities design and regulate forms of citizenship. But current debates over the assignment, withholding, or deprivation of citizen status have a long and violent history. In this course we will attempt to map a history of citizenship from the ancient Mediterranean world to the 21st century. Questions to be tackled include: who/what is a citizen? (How) are exclusion and marginalization wired into the historical legacies and present-day practices of citizenship?

Origins of popular rule at Athens, with special reference to the development of public institutions, social practices, and popular ideaology. Do democratic practices promote material flourishing and/or ethical conduct? Rethinking modern experiments with participatory democracy (utopian communities, workplace democracy, town meetings, teledemocracy, "leaderless movements"). Two 90-minute classes.

This course compares ideologies and practices of monarchic rule across Greece and the Near East. We will investigate how monarchs established their rule, how they faced opposition, and which strategies they adopted to legitimize their power. We will ask what makes a monarch a "tyrant" rather than a "king" and why monarchy turned out to be disgraceful for the Greeks compared to their neighbors. We will read texts produced by royal courts as well as compositions which sketch the profile of the "ideal monarch". We will also look at monuments which monarchs erected during their reigns and investigate their historical and political significance.

The subject of this course will be medieval Greek Romantic fiction. We will read translations of the four surviving novels written in twelfth-century Constantinople in a bid to answer questions about the link between eroticism and the novel, truth and invention in the middle ages, who read fiction and why, and what role, if any, did the medieval or Byzantine Romances have in the story of the European novel. Above all, we will seek to recover some of the pleasure felt by the medieval readers and audiences of these novels.

Designed to give students who are without knowledge of the Greek language the opportunity to read widely and deeply in the field of Greek drama, with particular emphasis on an intensive study of Greek tragedy, its origins and development, staging, structure, and meanings. Two 90-minute seminars.

Major classical historians, especially Herodotus and Thucydides, are studied in connection with the theory and practice of the art or science of history. Lectures and preceptorials treat the development of historical writing and its relationship to philosophy, politics, literature, and science, and problems such as that of fact and interpretation in historical writing. Two lectures, one preceptorial.

The historical development of Roman law and its influence on modern legal systems. Particular attention is given to the fundamental principles of Roman private law, including the law of persons, property, inheritance, and contract; and there is a close analysis of courtroom procedure. Two lectures, one preceptorial.

A period, problem, or theme in ancient history or religion with critical attention to the ancient sources and modern discussions. The topic and instructor vary from year to year. Format will change each time, depending on enrollment.

A period, problem, or theme in ancient history or religion with critical attention to the ancient sources and modern discussions. The topic and instructor vary from year to year. Format will change each time, depending on enrollment.