Global Arc

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Subject

Displaying 3371 - 3380 of 3827
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The Anthropology of Law
This course draws upon core anthropological studies of law to investigate conceptions, operations, and transformations of law across Western and non-Western societies. The course also draws upon legal theory and exemplary court cases to probe diverse forms of judicial reasoning and activism. How do legal concepts and categories--such as rights, duties, obligations, liabilities, risks, injuries, evidence, redress, and even personhood--come to appear as fundamental, natural, or universal? How are seemingly essential natures of law, in fact, constructed and produced and to which social and political effect?
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Masculinities
What does it mean to be a man? Or to act like a man? By calling attention to the gendered identities/practices of men-as-men, scholars of masculinities have given diverse responses to these questions across time and space. We draw on anthropology, history, critical theory, gender studies, and media to explore the processes and relationships by which men craft gendered lives. Rather than defining masculinity as biological trait or fixed object, we examine how men's life stories and prospects are shaped by social scripts, political-economic forces, labor regimes, and ethical norms.
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Vision and Mystery: Spirits, Fields, Truths
How do people apprehend signs, traces or apparitions that emanate from what we might call the spiritual, sublime or mystical realms? How does "seeing" or otherwise sensing the mysterious register within broader regimes of knowledge, power and truth? This course explores dimensions of key enigmas that transect spirituality, consciousness and fields of vision across cultural and historical settings. It foregrounds anthropological work, but it also draws upon related work in history, philosophy, literature, psychoanalysis and film. Topics include sacrifice, magic, vitality, dreams, presence, temporality, mediums, possession and transcendence.
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Culture, Media, and Data
The course introduces the media as an arena for anthropological work on the relationships among culture, power and society. Our lives are "saturated" by images and new communications technologies but so too are the media saturated with social practices open to anthropological investigation. In this course, we will emphasize how the idea of reality has framed representations of cultural difference in documentary and mass media. Students will use anthropological concepts to analyze uses of technological media around the globe in order to better understand how cultures are both empowered and excluded through media.
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How We Talk: Linguistic Anthropology Methods and Theories
This course provides a hands-on introduction to the methods and theories of linguistic anthropology, a sub-field devoted to the study of language and interaction in sociocultural and political processes. We will consider language as more than a neutral conduit for exchanging information or expressing ideas. Through readings and data gathering and analysis exercises, we will explore language as a resource and a factor that shapes and is shaped by our experiences, identities, relationships with and perception of the world and the people around us. Major themes include race, citizenship, gender, disability, and interpretation and power.
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Language, Expressivity, and Power
This course explores what we do with language and other modes of expression and how these modes shape our communicative capacities. Why do we gossip? How do we decide what communication is appropriate face-to-face or via text or email? What informs our beliefs about civility and obscenity? How do we decide what credible speech is? What happens when a culturally rooted expressive form (say, a dance) is taken up by people elsewhere for other aesthetic and political ends? We will explore such questions by studying theories and ethnographies of a range of phenomena: love-letters, gossip, poetry, asylum appeals, spoken word, and more.
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Ethics in Context: Uses and Abuses of Deception and Disclosure
Magic tricks delight us; biomedicine and human sciences use deception in research (e.g., placebos); and everyday politeness may obscure painful truths. With deception and disclosure as springboards, this course explores the contextual ambiguity of personal and professional ethics, with special attention to knowledge control. Topics include: social fictions in daily life across cultures; the tangled histories of science, stage magic, and movies; ethically controversial practices in popular culture ("reality" TV, fake news), the arts (fictive memoirs), academia (sharing/plagiarizing), self presentation (racial and sexual passing), and more.
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Insurgent Indigenous Art
This seminar addresses the field of "indigenous art" to unsettle current understandings of self and alter representation. Focusing on South America and drawing parallels with the Americas and Oceania, it investigates studies of material and immaterial culture from the perspective of indigenous world-makings. Attention will be paid to how indigenous arts speak to the dilemmas of self-governance, biocultural diversity, and conservation. We will also address forms of decolonization of Amerindian arts that are at play in museums, festivals, and environmental storytelling, with indigenous artists and intellectuals as their protagonists.
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Ethnography of Schools and Schooling
Social scientists use ethnographic methods to describe and analyze the range and variation of daily interactions in schools. Ethnographic study allows researchers the opportunity to examine power dynamics that influence the daily life of students, teachers, administrators and parents. Vivid, critical ethnography helps us discover how cultural traditions, expectations, and opportunities are passed down to the next generation and how they impact school outcomes. This class will explore educational ethnography and students will complete observations hours in local schools and prepare a descriptive, mini-ethnography of a school community.
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Making History: Museums, Monuments, and Cultural Heritage
This course contends with how shared histories are collectively made and remade in contemporary society. We will interrogate the meaning of history, memory, heritage, and "the past." What is at stake in how we represent the past? What do we mean when we make a claim on history as "ours"? What role do museums, monuments, and memorials play in the formation and maintenance of collective identities? Can practices like public history and archaeology promote collective healing?